DIE TECHNIK MUSS GRAUSAM SEIN, WENN SIE SICH DURCHSETZEN WILL
[TECHNOLOGY MUST BE CRUEL IN ORDER TO ASSERT ITSELF]
2011 – 2012
DIE TECHNIK MUSS GRAUSAM SEIN, WENN SIE SICH DURCHSETZEN WILL
[TECHNOLOGY MUST BE CRUEL IN ORDER TO ASSERT ITSELF]
2011 – 2012
The case study on debated dams and hydropower projects in Western and Southern Europe examines the tension between the need for carbon-free energy and the consequences of large-scale transformations of landscapes and hydrological systems.
The case study became the starting point for the ongoing long-term project DISTURBED HARMONIES [ANTHROPOCENE LANDSCAPES].
After several weeks of archive research in the Corporate Historical Archives of RWE AG, a prominent German energy company, I visited a selection of sites to complement my collection of historical material with new photo productions. The material was contextualised in archive folders and an artist book. The title is a quotation from an article in the social democrat newspaper Vorwärts from 1928, arguing in favour of building a dam in the Black Forrest.
The first presentation of the project was an installation in the entrance hall of the corporate headquarters of RWE AG. The exhibition sparked controversial discussions in and outside the company. In these processes, the title played an important role: it was, e.g. taken up by Der Spiegel and has been quoted by then CEO Peter Terium in public speeches repeatedly to express the company’s openness to criticism.
ARTIST BOOK
INSTALLATION VIEWS
RESEARCH FOLDERS
Quote 0
Because the essence of technology is nothing technological, essential reflection upon technology and decisive confrontation with it must happen in a realm that is, on the one hand, akin to the essence of technology and, on the other, fundamentally different from it. Such a realm is art. But certainly only if reflection upon art for its part, does not shut its eyes to the constellation of truth concerning which we are questioning. Thus questioning, we bear witness to the crisis that in our sheer preoccupation with technology we do not yet experience the coming to presence of technology, that in our sheer aesthetic-mindedness we no longer guard and preserve the coming to presence of art. Yet the more questioningly we ponder the essence of technology, the more mysterious the essence of art becomes. The closer we come to the danger, the more brightly do the ways into the saving power begin to shine and the more questioning we become. For questioning is the piety of thought.
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Martin Heidegger, The Question Concerning Technology and Other Essays. Translated by William Lovitt. (New York: Harper & Row, 1977), p 35.
SELECTED CASE STUDIES
Examples from the complex research project structured by locations.
The hydroelectric plant is not built into the Rhine River as was the old wooden bridge that joined bank with bank for hundreds of years. Rather, the river is dammed up into the power plant. What the river is now, namely, a water-power supplier, derives from the essence of the power station.
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Martin Heidegger, The Question Concerning Technology and Other Essays. Translated by William Lovitt. (New York: Harper & Row, 1977), p 9.
SCHLUCHSEEWERKE – BLACK FOREST, GERMANY
Quote 2
All of us must oppose the Wutach Dam in the same way as if someone wanted to reduce Freiburg Minster to a pile of rubble. In the name of the Lord!
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Talk given by chief government building surveyor Schurhammer, “The Wutach Valley Nature Reserve at Risk”, Freiburg, 11 June 1951, RWE Corporate Historical Archives
Quote 5
Guided by the forming human mind into work and performance.
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Schluchseewerke, Dipl. Ing. F. Bassler, Strom aus dem Schwarzwald, 1950s; RWE Corporate Historical Archives
PUMPED-STORAGE POWER PLANT VIANDEN, LUXEMBOURG
VORARLBERGER ILLWERKE – MONTAFON & BRANDNER TAL, AUSTRIA
GEPATSCHSTAUSEE – KAUNERTAL, AUSTRIA
Quote 4
What we in Europe view as our natural environment is actually the product of constant reshaping. It is a cultural landscape which humans have created over two millennia and constantly adapted to their needs. The human race needs nature: indeed the world‘s inexorably rising population cannot survive if it does not use the possibilities offered to it by nature.
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Dipl. Ing. Karl Becker, Energie aus Kohle und Wasserkraft, in: RWE und die Wasserkraft, RWE AG, Essen, 1993; p. 33
KRAFTWERKSGRUPPE FRAGANT – MÖLLTAL, AUSTRIA
EIGAU DAM – DOLGARROG, WALES
DIGA DEL VAJONT – LONGARONE, ITALY
The project was realised in the framework of VISIT, the artist-in-residence programme of RWE Stiftung.